Over the weekend I did some more extra work, starting to get sick of that word, perhaps I should refer it to background artist or scene realism regulator. Anyway, on one set I was a bouncer of an A list young adult party, which my stature as still far from, had nothing else better to do that night so pushed myself for the job, as they were last minute and mysterious with it all. But there I prob had worst scene realism engineer experience on the finest set I've ever been on. it was a house that felt like a hotel lobby complete with marble floors and a glass lift and Maxi (not mini) bar. Arriving on set no one greeted me or introduced themselves, no one explained what was going on, no one told us if we were going to be fed or not (we weren't) or where we could get a drink, no one tells us good job, that was excellent, another take plz, about 20 extras were held in a room with no aircon, and when asking for it checking was needed and no response was given, no taking photos AT ALL (thats why I have none) no walking.. anywhere beyond the extras holding steam room and smoking allowed only on breaks and not just when you are not in shot, but its okay for crew, note I found all these rules out by technically breaking them, because usually its okay and no one told me as mentioned. There are many other things I can complain about because it felt like babysitting us, but in hindsight I do have to look back why did all these little things begin to matter to me being at the bottom of the talent food chain? it's because I had taken all these things for granted and perhaps I was finally breaking that cycle of being a background scene realism model. I knew that the crew needed to keep order of everyone and everything especially since it was such an exquisite property that was not theirs, and since I do have AD experience, I do understand why the pressure would have made it seem that they didn't appreciate the work that professional walking mood setting creators do, but still i realise not how much difference a nice AD can make and how many sets I have seen and can actually complain about the minor things while every other performer living in the background didn't seem to notice. I was doing them a favour, but probably ended up giving negative vibes with such attitude and thoughts on boundaries and what rights we have as background reality trance enablers. so, time to step back and look at what you have become, what you need to do and where your passion is. cause if I take on any role and do it without respect and not work within the boundaries, I will just burn passion not that it will run out any time soon, but thats no way to test it, and we all know how important a stable passion is. Sure all these perks as simple as hi and here is a drink would help with your performance, but honestly, if you were truly in the role as bouncer, you don't need it to give your best performance.
As Ethan and Tif mentioned, There are no small roles, only small actors.
Performance Rating 1.5/10
while My performance was probably okay, I do not remember being in the moment without thinking about all the treatment I *should* be getting.
Do it with Passion and with the boundaries you are set jack.
The very next morning I was on another mysterious set as background hypnotist, a slightly better story about my experience here, paid half as much and also it rained for an hour at least and i took a nap on a trolley.
Performance Rating 7/10
not much else significant about this shoot, and you read my rant above already right?
This is a Stray photo from last month that I didn't blog about.
Extra/audience member for the Piano tuner short. It was another easy shoot, and I did spend some time editing photos. and sitting in the Bleh front stage right corner.
Performance Rating: 6/10
Was an extra and didn't really get into the Pianoing thing, not that anyone complained.
I also audienced for a "Dream school's" *final year performance* or some sort of competition with its equally fictional competing school "Dream academy". (its a HS musical clone I assume) coincidentally one of my fellow cast in the theatre club is a recuring cameo role from and was on set at the time. Here met "brother bear productions, which is a group of passionate high schoolers writing scripts and trying to get their first short out of the way, they start so young these days, so think big and dream regardless who you are. We were not supposed to take photos, so I'm steping somewhere in the middle here with a crap photo of what is starting to be a very distinct silhouette at least to me.
Performance Rating: 8/10
for this performance I got into it bit more since I was supposed to be a teenie bopper crazed beiber fan of sorts, the Brother bear crew helped me get into this as they were avid fans and I cheered the performance with them in true obnoxious Aussie Vigour.
The above guy is writing this blog. Thanks for taking some time to read it.